Lana Del Rey Ultraviolence Review
Lana Del Rey Ultraviolence Review
General Information:
Artist: Lana Del Rey
Album: Ultraviolence
Genre(s): Dream Pop, Indie Pop
Subgenre(s): N/A
Released: 2014
Length: 51 minutes
Language(s): English, Spanish
Label(s): Interscope, Polydor
Track List:
01. Cruel World
02. Ultraviolence
03. Shades of Grey
04. Brooklyn Baby
05. West Coast
06. Sad Girl
07. Pretty When You Cry
08. Money Power Glory
09. Fucked My Way Up to the Top
10. Old Money
11. The Other Woman
Lana Del Rey Ultraviolence Cover
Lana Del Rey Ultraviolence Review
Ultraviolence is the third album from American singer-songwriter Lana Del Rey. The title proves to be ironic in terms of the music with Cruel World instantly showcasing her embracement of the soft melancholic spirit. This sets the tone of the entire album and, unlike her previous album – the nihilistically named Born to Die, there isn’t much energy behind these grey-black textural pity-revelling slow burners. It keeps coming, one song after another, with her voice being the major focal point and the most compelling aspect of the album.
Lyrically, the album touches on the light-hearted topics one has come to expect on a pop album. Domestic abuse on the title track, cooking cocaine (“White palms, baking powder on the stove/Cooking up a dream, turning diamonds into snow”) on Florida Kilos, the love of drugs on Pretty When You Cry (All those special times I spent with you, my love/They don’t mean shit compared to all your drugs) and Lana Del Ray apparently whoring herself out for success on the bluntly titled “Fucked My Way Up to the Top”.
In case you think the last of those is coated in artistic license, it probably isn’t. From an interview with “Complex” she responds to the question “Is it about people not wanting to give you credit for your success? Or is it about fucking people to get to the top?” with “…You know, I have slept with a lot of guys in the industry, but none of them helped me get my record deals. Which is annoying.”*
On one hand, songs from Ultraviolence can be listened to individually and thoroughly enjoyed. On the other, the framing of them on a single album creates a scene limited by its narrow musical vision. The glamorization of decadence is to the point of drabness, if nothing else, and feels forced.
Performers:
Lana Del Rey: Vocals
Dan Auerbach: Claps, electric guitar, acoustic guitar, shaker, synthesizer
Collin Pupuis: Drum programming, synthesizer
Leon Michaels: Claps, synthesizer, piano, Mellotron, tambourine, percussion, tenor saxophone
Nick Movshon: Claps, bass guitar, upright bass, drums
Russ Pahl: Pedal steel guitar, electric guitar, acoustic guitar
Full list of performers: https://en.wikipedia.org/wiki/Ultraviolence_(album)#Personnel
External Links:
Lana Del Rey Homepage
Lana Del Rey on Wikipedia
Ultraviolence on Wikipedia
* https://www.complex.com/covers/lana-del-rey-interview-against-the-grain-2014-cover-story/