Jonathan Hill

A Soapbox for Uninformed Opinions

By

Disturbed Believe Review

General Information:

Artist: Disturbed
Album: Believe
Genre(s): Rock
Subgenres(s): Nu Metal
Released: 2002
Length: 47 minutes
Language(s): English
Label(s): Reprise

Track List:

01. Prayer
02. Liberate
03. Awaken
04. Believe
05. Remember
06. Intoxication
07. Rise
08. Mistress
09. Breathe
10. Bound
11. Devour
12. Darkness

Disturbed Believe Cover

Disturbed Believe Cover

Disturbed Believe Review

Believe is the second album by nu metallers Disturbed. Following the massively successful release of The Sickness, you could have easily expected Disturbed to follow up in a similar fashion but that isn’t the case because they have chosen to shed off many of their defining traits to start on a new path for Believe.

The confrontational singing style and angsty lyrics have been scrapped in favour of highlighting David Draiman’s highly melodic singing abilities with his lyrics now taking a closer look at religion and spirituality, which is also depicted on the albums cover as a mix of the Christian crucifix, Islamic crescent, Jewish star of David and a Wiccan pentacle. The only song on Believe to feature any of his distinguishing barking noises is Intoxication so for anyone that is put off by that on The Sickness will find Believe much more welcoming.

The electronic elements have disappeared almost entirely with the tiny exceptions being the glitchy vocals at the start of Liberate and then the keyboards at the start of Remember and on the bridge of Mistress. Another rare moment is the final song, Darkness, which is an artfully crafted piano ballad that will catch most listener’s off-guard. It also proves that the band is capable of expressing themselves in an entire different way when they want to. It also happens to be the only song to feature an acoustic guitar as well as cellist Alison Chesley.

Devour picks up a lot of momentum right at the end before coming to a sudden stop and it’s hard not to think that this could have easily transitioned into a new verse or even something slightly progressive but instead of tip-toing around something new Disturbed strictly adheres to their radio friendly format. That isn’t to say that there is anything inherently wrong with this, despite it almost feeling intentional at times, but it would have been interesting to hear the band tackle something more challenging.

Despite the sudden shift into a highly accessible and melodic style, Believe is still a nu metal album that focuses on straightforward guitar riffs and stays away from any form of flashy showmanship. In contrast to this, the rejection of angsty lyrics and aggression in general makes Believe one of nu metals most mature efforts by the simple virtue of escaping these common elements. Whether you consider Believe to be a streamlined or a stripped back effort will depend entirely on your perspective of the band and the subgenre.

Performers:

David Draiman: Vocals
Dan Donegan: Guitar, keyboards
Steve Kmak: Bass guitar
Mike Wengren: Drums, percussion
Alison Chesley: Cello

External Links:

Disturbed Homepage
Disturbed on Wikipedia
Believe on Wikipedia

By

New Model Army The Ghost of Cain Review

General Information:

Artist: New Model Army
Album: The Ghost of Cain
Genre(s): Rock, Folk Rock
Subgenres(s): Post-Punk
Released: 1986
Length: 35 minutes
Language(s): English
Label(s): EMI

Track List:

01. The Hunt
02. Lights Go Out
03. 51st State
04. All of This
05. Poison Street
06. Western Dream
07. Lovesong
08. Heroes
09. Ballad
10. Master Race

New Model Army The Ghost of Cain Cover

New Model Army The Ghost of Cain Cover

New Model Army The Ghost of Cain Review

The Ghost of Cain is the third studio album by British post-punk outfit New Model Army. Unlike a great number of other rock bands, New Model Army has a big emphasis on narrative-driven lyrics that touch on serious themes of justice, politics and social issues.

This is outlined right from the get-go with The Hunt, which deals with street justice in a town overrun by drug dealers and thugs that are untouchable due to corruption and fear. 51st State is an irony-soaked acoustic song about American exceptionalism while Master Race reflects on countries acting like the world police because of their arrogant sense of superiority.

Western Dream is perhaps the most serious in terms of lyrical content when Justin Sullivan pessimistically looks at “the bitterness of failure and the dirt of success” in the western world. He goes on to sing about how sometimes it looks like there are only two choices; know your place or “trample over everyone” to be successful while living with the dirt of doing so.

Every instrument has been mixed with a high degree of clarity so that they are all represented equally on The Ghost of Cain. This means that the bass can not only be heard clearly, which is a rarity in rock music, but it proves to be an integral part of the New Model Army sound. There is also a noticeable influence from folk music on 51st State, All of This and Lovesongs while Poison Street and the dusty sounding Ballad feature the harmonica courtesy of Mark Feltham.

All of these inclusions play perfectly into the post-punk ethos of expanding beyond punk rock’s simplistic 3 chords of fury to explore more artistic possibilities while maintaining the same energy and passion.

Performers:

Justin Sullivan: Vocals, Guitar
Robert Heaton: Drums
Jason “Moose” Harris: Bass
Mark Feltham: Harmonica (Poison Street and Ballad)

External Links:

New Model Army Homepage
New Model Army on Wikipedia
The Ghost of Cain on Wikipedia

By

The Devin Townsend Project Ki Review

General Information:

Artist: The Devin Townsend Project
Album: Ki
Genre(s): Rock
Subgenres(s): Progressive Rock
Released: 2009
Length: 107 minutes
Language(s): English
Label(s): HevyDevy, Inside Out

Track List:

01. A Monday
02. Coast
03. Disruptr
04. Gato
05. Terminal
06. Heaven’s End
07. Ain’t Never Gonna Win
08. Winter
09. Trainfire
10. Lady Helen
11. Ki
12. Quiet Riot
13. Demon League

The Devin Townsend Project Ki Cover

The Devin Townsend Project Ki Cover

The Devin Townsend Project Ki Review

Ki (pronounced key) is the first of a planned 4 part series by Devin Townsend following a 2 year hiatus from recording music after he found himself uncomfortable with the fact that he had difficulty writing music without drugs. During the hiatus he wrote music that he found fitting into 4 different styles and wanted to create an album for each of them.

To help him realise this ambitious goal he enlisted a different group of musicians for each album. For Ki he chose long-time collaborator and multi-instrumentalist Dave Young, who provides much of the ambiance as well as drummer Duris Maxwell (Heart, Jefferson Airplane and Skylark) and bassist Jean Savoie who is a member of a Beatles tribute band called The Bobcats as he thought that they would bring a fresh perspective to Ki’s quieter aspects. Devin Townsend himself takes on lead vocal and guitar duties as well as some bass playing and ambiance.

There are 2 distinct sides to Ki. The first is the moody and introspective music that would be the perfect soundtrack to a quiet winters evening. This is introduced immediately with the minimalist A Monday, which focuses on simple and undistorted guitar playing with some keyboard work to fill in the spaces around it. Other songs like Terminal, Winter and Lady Helen are particularly close to this blueprint in terms of the mood and stripped back musicianship while Coast is slightly more up-tempo, especially towards the end when the music intensifies with layers of voices. Ain’t Never Gonna Win is a loose jam song that never loses the feeling of the other songs mentioned but sounds distinct from everything else in its own right.

Unfortunately there is also the other side to Ki which is made up of irate songs like Gato, Heaven Send, the title track and the aptly named Disruptr (yes that’s how it’s spelt). They all contain the softer side as well but Devin Townsend’s latent aggression starts to seep through in a controlled way. The loud chugging guitars come in, Devin Townsend shouts and snarls in his distinct way as the songs intensify like at the end of Coast before dissipating into soft ambience once again.

There are 2 problems with this. The first is that the anger seems to be allowed out in controlled bursts which prevent it from really taking hold of the music and going somewhere of significance. The second is that the different styles are divisive because the moods that they create rub shoulders in an awkward fashion instead of complementing each other. It would have been a much wiser idea to split Ki into 2 separate albums for the sake of consistency if nothing else.

There are other anomalies such as Quiet Riot, an optimistic sounding folk song that turned out to be a real highlight of the album and I can’t help but wish there was more of this on Ki. Then there’s Trainfire, a tongue-in-cheek rock and roll song with more of the wrath-filled heavy metal segues that eventually gives way to the introverted night time music. This is one of those songs that you’ll either accept as a particularly odd progressive rock song that blends 3 styles of music together or you’ll sit back and think that it’s a train wreck of conflicting ideas. Demon League is another low key song that closes the album while bringing Ki around full circle by revisiting the themes found at the start of the album on A Monday.

Ki gives the impression that Devin Townsend was fighting with himself over what kind of music he wanted to create and ends up with an odd combination of styles that would have been better suited to 2 separate albums. It’s a bumpy ride because of this but if you are either a fan of Devin Townsend or want to hear something different without having to jump into the deep end it would be an ideal place to start.

Performers:

Devin Townsend: Vocals, Guitars, Fretless Bass Guitar, Ambience
Duris Maxwell: Drums
Jean Savoie: Bass guitar
Dave Young: Keyboard, Piano, Ambience

Additional Musicians:

Ché Aimee Dorval: – additional vocals
Ryan Dahle: – additional vocals on Gato
Bjorn Strid, Peter, Christopher, Grant, Corey, Jeremy, Ryan: additional vocals

External Links:

Devin Townsend Homepage
Devin Townsend on Wikipedia | Ki on Wikipedia

By

Jay Reatard Watch Me Fall Review

General Information:

Artist: Jay Reatard
Album: Watch Me Fall
Genre(s): Rock
Subgenres(s): Garage Rock
Released: 2009
Length: 32 minutes
Language(s): English
Label(s): Matador Records

Track List:

01. It Ain’t Gonna Save Me
02. Before I Was Caught
03. Man of Steel
04. Can’t Do it Anymore
05. Faking It
06. I’m Watching You
07. Wounded
08. Rotten Mind
09. Nothing Now
10. My Reality
11. Hang Them All
12. There is No Sun

Jay Reatard Watch Me Fall Cover

Jay Reatard Watch Me Fall Cover

Jay Reatard Watch Me Fall Review

Watch Me Fall is the second and final album solo album of the late Jay Reatard. Consisting of rough cut garage rock anthems, he carefully blends it together with contrasting pop sensibilities and bleak lyricism that focuses on angst, depression and apathy.

Most of Watch Me Fall is centred on fuzzy guitar hooks and Jay Reatard’s under produced echo-laden voice, which actually compliments the sound rather than hindering it. Between the jagged guitar work there are some songs in which he flex his sonic pallet. I’m Watching You is the closest that you’ll get to a ballad as he brings the acoustic guitar, keyboard and organ to the front while Wounded favours the acoustic guitar and an overly sweet wordless chorus.

Still within the realms of rock music, another interesting development is found on My Reality when it channels brief climatic build ups and the post rock sound of Explosions in the Sky. Whether this is a case of independent invention or not, we will never know. The album closes with There is No Sun, a grim premonition of Jay Reatards own untimely death if there ever was one.

Watch Me Fall is the perfect blend of bleak lyricism, pop sensibilities and the garage rock aesthetic which have secured Jay Reatard a well-earned legacy.

Performers:

Jay Reatard: Vocals, Guitar
Stephen Pope: Bass guitar
Billy Hayes: Drums

External Links:

Jay Reatard Homepage
Jay Reatard on Wikipedia | Watch Me Fall on Wikipedia
Jay Reatard on Discogs | Watch Me Fall on Discogs