Tag: Storm Corrosion

  • Storm Corrosion Storm Corrosion Review

    Storm Corrosion Storm Corrosion Review

    Artist: Storm Corrosion
    Album: Storm Corrosion
    Genre(s): Ambient, Folk, Rock
    Subgenres(s): Dark Ambient, Progressive Rock, Psychedelic Folk
    Released: 2012
    Length: 48 minutes
    Language(s): English
    Label(s): Roadrunner

    Track List:

    01. Drag Ropes
    02. Storm Corrosion
    03. Hag
    04. Happy
    05. Lock Howl
    06. Ljudet Innan

    Storm Corrosion Storm Corrosion Cover

    Storm Corrosion is the long awaited collaborative project between progressive rock/metal stars Steven Wilson (Porcupine Tree, solo) and Michael Akerfeldt (Opeth). Given the background of these 2 prolific musicians you would think that you would have some inkling as to what Storm Corrosion would turn out like but the results are much more unexpected than you’d think. As with a lot of Steven Wilson’s output in the last few years, the music is brooding and dark sounding without strictly sounding like anything either musician has put forward before.

    There are only 6 songs on Storm Corrosion and together they manage to make up a little bit more than the average length of an album. Drag Ropes, Storm Corrosion and Ljudet Innan all clock in at around 10 minutes each and like most of the album, they work around the same tired format; soft guitar lines that keep the rhythm, dark keyboard atmospheres, sparse and infrequent percussion and unstrained singing from both halves of Storm Corrosion.

    Half way through Hag you’ll be treated to a short burst of distorted guitar noise and frenzied drum rolls with plenty of sharp clashes on the cymbals thrown in in an effort to keep your attention and break up the monotony. Lock Howl is the only song with steady use of percussion and while remaining well within the duos ominous criteria, it manages to wake the listener from their slumber before abruptly stopping once they realise that they are in danger of playing something that might be memorable.

    Unlimited artistic freedom isn’t a bad thing in and of itself but when 2 of the current progressive rock/metal scene figureheads get together and produce an album with maybe 20 minutes of material worth hearing you know that something hasn’t hit the marker.