Jonathan Hill

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Judas Priest Nostradamus Review

General Information:

Artist: Judas Priest
Album: Nostradamus
Genre(s): Heavy Metal
Subgenres(s): Heavy Metal
Released: 2008
Length: 56 minutes (CD 1 tracks 1-13), 47 minutes (CD 2 tracks 14-23)
Language(s): English
Label(s): Sony Music

Track List:

01. Dawn of Creation
02. Prophecy
03. Awakening
04. Revelations
05. The Four Horsemen
06. War
07. Sands of Time
08. Pestilence and Plague
09. Death
10. Peace
11. Conquest
12. Lost Love
13. Persecution
14. Solitude
15. Exiles
16. Alone
17. Shadows in the Flame
18. Visions
19. Hope
20. New Beginnings
21. Calm Before the Storm
22. Nostradamus
23. Future of Mankind

Judas Priest Nostradamus Cover

Judas Priest Nostradamus Cover

Judas Priest Nostradamus Review

Nostradamus is the 16th studio album by heavy metal icons Judas Priest. After testing the waters on their 2005 album Angel of Retribution with a 13 minute doom metal song, Loch Ness, it seems as though Judas Priest have gotten a real taste for pushing their artistic boundaries by ambitiously crafting a concept double album revolving around the life of the French seer Nostradamus.

The most immediate thing you’ll notice, aside from the colossal length, is the inclusions of keyboards as a lead instrument. Sometimes they outshine or even bury other instruments (most notably Ian Hill’s bass) and are the foundation of no less than 9 interludes which are often accompanied by acoustic or soft electric guitar playing. While they work well to emphasise some of Rob Halford’s singing talents, they make up a combined running time of 17 minutes and can feel overdone by the end the album. It is worth mentioning that the interlude music is eventually fleshed out into a full song, the ballad Lost Love, which is presumably about the loss of his first wife and 2 children to the plague but the lyrics are vague enough to be interpreted in different ways.

Death is another successful foray into doom metal and it’s a shame that the band only flirt with the subgenre since they prove to be rather skilled in this realm. War turns out to be one of the more experimental songs as it breaks away from heavy metal altogether and sees Judas Priest trying their hand at martial industrial music with surprisingly good results. In another twist, Pestilence and Plague is sung in both English and Italian but unless you understand Italian, it will be hard to say how accurate Rob Halford’s performance is.

Between the interludes and experimentation we are left with much of their traditional heavy metal sound that is often played at the same mid-paced tempo which doesn’t do much to help the flow of the album. The title track, found near the end of the second CD, starts out like any of the other interludes before breaking into a speed metal frenzy with Rob Halford’s trademark wail to make you think that it has been ripped right out of the Painkiller album. Nostradamus would have benefitted greatly from more songs like this one, if for nothing other than the tempo to shake things up a little.

Nostradamus would be more digestible if the material was condensed into a single album no more than an hour long but it is always good to hear a band expanding their horizons instead of running around the same hamster wheel endlessly even if the results aren’t perfect.

Performers:

Rob Halford: Vocals
Glenn Tipton: Guitars and Synthesizes Guitars
K.K. Downing: Guitars and Synthesizes Guitars
Ian Hill: Bass Guitars
Scott Travis: Drums

External Links:

Judas Priest Homepage
Judas Priest on Wikipedia | Nostradamus on Wikipedia

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Jay Reatard Watch Me Fall Review

General Information:

Artist: Jay Reatard
Album: Watch Me Fall
Genre(s): Rock
Subgenres(s): Garage Rock
Released: 2009
Length: 32 minutes
Language(s): English
Label(s): Matador Records

Track List:

01. It Ain’t Gonna Save Me
02. Before I Was Caught
03. Man of Steel
04. Can’t Do it Anymore
05. Faking It
06. I’m Watching You
07. Wounded
08. Rotten Mind
09. Nothing Now
10. My Reality
11. Hang Them All
12. There is No Sun

Jay Reatard Watch Me Fall Cover

Jay Reatard Watch Me Fall Cover

Jay Reatard Watch Me Fall Review

Watch Me Fall is the second and final album solo album of the late Jay Reatard. Consisting of rough cut garage rock anthems, he carefully blends it together with contrasting pop sensibilities and bleak lyricism that focuses on angst, depression and apathy.

Most of Watch Me Fall is centred on fuzzy guitar hooks and Jay Reatard’s under produced echo-laden voice, which actually compliments the sound rather than hindering it. Between the jagged guitar work there are some songs in which he flex his sonic pallet. I’m Watching You is the closest that you’ll get to a ballad as he brings the acoustic guitar, keyboard and organ to the front while Wounded favours the acoustic guitar and an overly sweet wordless chorus.

Still within the realms of rock music, another interesting development is found on My Reality when it channels brief climatic build ups and the post rock sound of Explosions in the Sky. Whether this is a case of independent invention or not, we will never know. The album closes with There is No Sun, a grim premonition of Jay Reatards own untimely death if there ever was one.

Watch Me Fall is the perfect blend of bleak lyricism, pop sensibilities and the garage rock aesthetic which have secured Jay Reatard a well-earned legacy.

Performers:

Jay Reatard: Vocals, Guitar
Stephen Pope: Bass guitar
Billy Hayes: Drums

External Links:

Jay Reatard Homepage
Jay Reatard on Wikipedia | Watch Me Fall on Wikipedia
Jay Reatard on Discogs | Watch Me Fall on Discogs

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Sick of it All Death to Tyrants Review

Artist: Sick of it All
Album: Death to Tyrants
Genre(s): Rock
Subgenres(s): Hardcore Punk
Released: 2006
Length: 37 minutes
Language(s): English
Label(s): Abacus Records

Track List:

01. Take the Night Off
02. Machete
03. Preamble
04. Uprising Nation
05. Always War
06. Die Alone
07. Evil Schemer
08. Leader
09. Make a Mark
10. Forked Tongue
11. The Reason
12. Faithless
13. Fred Army
14. Thin Skin
15. Maria White Trash
16. Don’t Join the Crowd (European Bonus Track)

Sick of it All Death to Tyrants Cover

Sick of it All Death to Tyrants Cover

Sick of it All Death to Tyrants Review

Death to Tyrants is a testosterone fuelled rage fit by Sick of it All. After the first few songs you’ll come to realise that Sick of it All are content with playing short, snappy bursts of hardcore punk and aren’t trying to do anything else. While the passion is clearly there, the lack of desire to diversify their sound leaves each song on Death to Tyrants sounding all too similar to the ones before it.

However the biggest grievance on Death to Tyrants has to be vocalist Lou Koller, who insists on spluttering over what could have been some well-crafted songs without his constipated gorilla cries. Instead, Death to Tyrants turns into nothing more than an endurance test to get to the end of it.

Death to Tyrants is best left to the hardcore punk enthusiasts as it will leave the rest of us feeling sick of it all before the album is halfway done.

Performers:

Lou Koller: Vocals
Pete Koller: Guitar
Craig Setari: Bass Guitar
Armand Majidi: Drums

External Links:

Sick of it All Homepage
Sick of it All on Wikipedia | Death to Tyrants on Wikipedia
Sick of it All on Discogs | Death to Tyrants on Discogs

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Beat Tornados Pole Position Review

General Information:

Artist: The Beat Tornados
Album: Pole Position
Genre(s): Rock
Subgenres(s): Surf Rock
Released: 1998
Length: 20 minutes
Language(s): N/A
Label(s): Amigo

Track List:

01. Oppa Fjellet
02. Throttleman
03. Pole Position
04. El Nino
05. Kon Tiki
06. Pihen T Dalen
07. Reinlender
08. The Cruel Sea

The Beat Tornados Pole Position Cover

The Beat Tornados Pole Position Cover

Beat Tornados Pole Position Review

Pole Position is the debut album by the Norwegian surf rockers The Beat Tornados. Pole Position is almost entirely instrumental with the exceptions being the subtle wordless voices on Oppa Fjellet and a quiet yell followed by a much louder one on El Nino. This works to the albums advantage because there isn’t much space for actual singing as the songs take on new directions quickly and aren’t structured with a singer in mind.

While all of the songs are up tempo with reverb drenched guitars taking the lead, there is plenty of variety in the song-writing department over the course of this short album. The lazy sounding Kon Tiki is the only slow song on Pole Position and it follows on from El Nino, a song that builds itself into a flurry of cymbal crashes and drum rolls before launching into the optimistic Phin T Dalen that is guaranteed to make you smile.

Clocking in at 20 minutes, it’s hard to consider Pole Position to be a full length album but The Beat Tornados offer the listener a great deal of replay value with some excellent musicianship that does everything right without the need for any excess.

External Links:

Beat Tornados on Facebook
Beat Tornados on Discogs | Pole Position on Discogs