Jonathan Hill

A Soapbox for Uninformed Opinions

May
5

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Team Sleep Team Sleep Review

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Team Sleep Team Sleep Review

Artist: Team Sleep
Album: Team Sleep
Genre(s): Electronic, Rock
Subgenres(s): Trip Hop, Trip Rock
Released: 2005
Length: 54 minutes
Language(s): English, French
Label(s): Maverick Records

Track List:

01. Ataraxia
02. Ever (Foreign Flag)
03. Your Skull is Red
04. Princeton Review
05. Blvd. Nights
06. Delorian
07. Our Ride to the Rectory
08. Tomb of Liegia
09. Elizabeth
10. Staring at the Queen
11. Ever Since WWI
12. King Diamond
13. Live from the Stage
14. Paris Arm
15. 11/11

Team Sleep Team Sleep Cover

Team Sleep is the self-titled debut album and end result of an extensive collaborative project that manages to pull together a myriad of influences ranging from shoegaze, post rock, dream pop, instrumental hip hop and glitch music. When combined, these influences are used to create a low key trip hop/trip rock album that focuses on ambience and textures with an experimental edge rather than big choruses or flashy instrumental leads.

The trip hop/trip rock songs that make up about 2/3 of the album are abruptly broken up by the more experimental and challenging songs littered through the track listing. The post rock/shoegaze styling of Your Skull is Red and Blvd. Nights will make you feel like you’re being swept under by a tidal wave of noise.

In contrast, the hip hop and glitch inspired song Staring at the Queen features programmed percussion that clangs around like a lumbering machine and is rounded off with skipping and looping effects in an effort to make it sound as dysfunctional as possible. King Diamond on the other hand uses samples of Chino Moreno and Mary Timony to create an odd spoken word collage with a similar musical style. While arguably not the highlights of Team Sleep, they are certainly memorable.

Paris Arm is a straightforward love song that is unexpectedly sung entirely in French by Sandy Lakdar, who is not credited in the album booklet but does get mentioned on the Team Sleep homepage. It is also one of the shortest songs on the album, only outstretching the interlude Delorian by 9 seconds.

While the brooding ambiance makes Team Sleep a suitable soundtrack for the small hours, the noisy post-rock/shoegaze and glitchy hip hop inspired songs will provide enough variation to stop the songs from running together.

Apr
16

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Free the Robots Free the Robots Review

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Free the Robots Free the Robots Review

Artist: Free the Robots
Album: Free the Robots
Genre(s): Electronic
Subgenres(s): Trip Hop
Released: 2007
Length: 23 minutes
Language(s): English
Label(s): Elsewhere Studios

Track List:

01. Listen to the Future
02. Diary
03. Jazzhole
04. Yoga Fire
05. Lonely Traveller
06. Session Two

Free the Robots Cover

Free the Robots is the first EP by Chris Alfaro to be released under his pseudonym Free the Robots. The self-titled EP shows elements of ambient, jazz and hip hop being brought together to create a short yet highly imaginative collection of songs under the trip hop banner.

While largely an instrumental effort, there are some sparse vocal arrangements delivered in a variety of ways over the course of the 6 songs. A delicate balance with the music is struck that allows for the vocals to be listened to actively or as a background part to the music. Yoga Fire is the only song to features female singing and is an upbeat, psychedelic song. It is just shy of the 3 minute marker and is the shortest song on Free the Robots.

Some sampled instruments including a saxophone and a piano can be heard on the 2 jazz inspired songs, Jazzhole and Session Two. Listen to the Future, Diary and Lonely Traveller take on a different sound altogether and instead show off the ambient themes of the EP while featuring a strong percussive backing.

There are a lot of ideas that have been put into practice for the first Free the Robots release, but nothing on it sounds overbearing or forced given its short duration. Instead it is a celebration of diverse genres being reassembled to create something original and exciting.

Mar
26

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Atari Teenage Riot Is This Hyperreal Review

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Artist: Atari Teenage Riot
Album: Is This Hyperreal?
Genre(s): Electronic, Rock
Subgenres(s): Digital Hardcore
Released: 2011
Length: 43 minutes
Language(s): English, German
Label(s): Digital Hardcore Recordings, Dim Mak Records

Track List:

01. Activate
02. Blood in My Eyes
03. Black Flags
04. Is This Hyperreal?
05. Codebreaker (feat. Steve Aoki)
06. Shadow Identity
07. Rearrange Your Synapses
08. Digital Decay
09. The Only Slight Glimmer of Hope
10. Collapse of History

Atari Teenage Riot Is This Hyperreal Cover

Atari Teenage Riot Is This Hyperreal Review

Is This Hyperreal is Atari Teenage Riot’s first album after a decade long hiatus and continues in the exact same fashion as they left off; setting out to create a furious wall of oppressive noise that is achieved by melding hardcore punk, techno and breakcore while covering it in a blanket of distortion just in case there was a chance that some part of the album could be considered an easy listening experience.

Male and female vocal duties are shared between digital hardcore pioneer Alec Empire and newcomer Nic Endo respectively, although Endo does become the primary voice on the album as it progresses. Not surprisingly, the vocals are also drenched in distortion whereas the lyrics are unfortunately reduced to blathering repetitive, half-baked pseudo-political rhetoric and social commentaries without any deep meaning or discernible thought process behind them.

Shadow Identity features one of the few relaxed moments on the album and has softly sung passage performed by Endo towards the end. It breaks up the pace nicely before Rearrange Your Synapses interjects itself with Alec Empire spouting out angry ramblings in the style of a street protester bellowing into a megaphone. This happens just before the song turns into something at could only be described as the soundtrack to a panic attack. It features a few illeisms that are present in Black Flags and the title track as well.

Atari Teenage Riot manages to mix several genres together in a cohesive and exciting manner but let themselves down with poorly thought out lyrics that are often pushed to the front of each song. They do not offer any real insight or solutions to the problems addressed which become tiresome quickly. If this was an instrumental album then it would most likely be viewed in a completely different light.

Atari Teenage Riot Homepage (contains flashing lights)
Atari Teenage Riot on Wikipedia | Is This Hyperreal? on Wikipedia
Atari Teenage Riot on Discogs | Is This Hyperreal? on Discogs

Mar
17

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SPY What the Future Holds Review

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Artist: SPY
Album: What the Future Holds
Genre(s): Electronic
Subgenres(s): Drum and Bass, Liquid Funk
Released: 2012
Length: 73 minutes
Language(s): English
Label(s): Hospital Records

Track List:

01. You
02. Analogue Dreams (feat. Diane Charlemagne)
03. Back Again
04. Love Hurts
05. Infiltrate
06. See the Light (feat. Diane Charlemagne)
07. What the Future Holds (feat. Ian Shaw)
08. Surge
09. Hammer in My Heart (feat. Diane Charlemagne)
10. Nightcall
11. Bass Terror
12. Adrift
13. Kiss the Sky

SPY What The Future Holds Cover

SPY What the Future Holds Review

SPY (or S.P.Y.) is the alias of Carlos Lima, a Brazilian born, London based musician who released his first full length album, What the Future Holds, in 2012 through Hospital Records after issuing a number of EPs dating back to 2006. He focuses largely on the liquid funk branch of drum and bass and combines a heavy dose of ambiance mixed with loud, repetitive percussion to keep the songs moving forward.

He expands on his sound to create the standout crossover song Love Hurts, which has slow jazz piano chords playing with a subtle double bass and jazz drumming that is at times washed out by the overlain drum and bass percussion. While the jazz portion of the song is a slightly sped up sample of My Precious Thing by Llorca, the only other obvious samples that exist on the album are the distorted spoken word dialogue on Surge that has been lifted from the Remedy Entertainment video game Max Payne and a telephone being dialled and ringing on Kiss the Sky.

More notably, the title track has a live performance of an oboe, bassoon and flute performed by Emily Johnston, Harry Ventham and Gemma Hawkins respectively, which are used to create a cinematic quality within the song and departs entirely from the drum and bass sound for roughly half of its length.

Diane Charlemagne creates some memorable vocal performances on Analogue Dreams, See the Light and Hammer in My Heart, helping to distinguish the songs on the instrumentally lead album. Vocalist Ian Shaw features on the title track but unfortunately, like the jazz drumming on Love Hurts, he has to compete with the percussion to be heard clearly during his performance. Minor edited background vocals are also present on Bass Terror and Adrift but don’t have the same presence as the other performances.

Unfortunately, What the Future Holds loses steam about 3/4 of the way into the album. This is partially due to most of the songs keeping a similar pace throughout, but mainly because SPY fails to justify the excessive length of the album, as there isn’t always enough material to flesh the songs out for as long as they are while keeping the listener engaged. If the CD edition was cut back to the length on the vinyl release (songs 1 to 8, making it 46 minutes long) then the condensed time would have greatly improve the listening experience.

External Links:

SPY Homepage
SPY on Discogs | What the Future Holds on Discogs

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