Jonathan Hill

A Soapbox for Uninformed Opinions

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The Darkness Permission to Land Review

Artist: The Darkness
Album: Permission to Land
Genre(s): Rock
Subgenres(s): Hard Rock
Released: 2003
Length: 38 minutes
Language(s): English
Label(s): Atlantic

Track List:

01. Black Shuck
02. Get Your Hands off My Woman
03. Growing on Me
04. I Believe in a Thing Called Love
05. Love is Only a Feeling
06. Givin’ Up
07. Stuck in a Rut
08. Friday Night
09. Love on the Rocks No Ice
10. Holding My Own

Darkness Permission to Land Cover

The Darkness Permission to Land Review

Permission to Land is the over the top debut album by The Darkness that features the flag song and lead single I Believe in a Thing Called Love that they quickly and deservingly became known for. The album throws back to the hard rock sound of the 70’s and 80’s, while overflowing with memorable guitar riffs and solos, audible bass (somewhat of a rarity in rock music), and the outrageous vocal talents of Justin Hawkins. The drums, while not getting as much of the spotlight, provide a solid backing to each song and have a more noticeable presence in the power ballads and during the bridges and breaks of the louder songs.

In addition to standard rock instrumentation, there are some incredibly brief and overly subtle uses of a keyboard on Get Your Hands Off My Woman and Holding My Own, a barely audible piano in Friday Night (which also features a low, quiet purring noise) and an acoustic guitar that shimmers on Love is Only a Feeling.

Hawkins’ voice stays firmly in the falsetto range for the majority of the album and isn’t afraid to flex his vocal cords to show off his abilities. There are some offbeat moments as well, such as on the albums opener, Black Shuck, in which he alternates between high notes most women couldn’t reach and a snarling tone before jumping back into the style that he has become known for. He later performs a 10 second shriek-slash-gargling noise that sounds like it came straight from the bowels of Hell itself.

His voice is pushed right to the limits on Stuck in a Rut (listen from the 2.40 marker) and the lyrics throughout this song (and sometimes others) become incomprehensible amidst his ear piercing performances. In between all of this, he somehow manages to find time to break off to perform a manic laugh that makes you think he’s fallen right out of his tree.

As you can judge from some of the song titles alone, lyrical themes revolve largely around love, making love, women, a mythical creature on Black Shuck and probably the most, if not only, upbeat song about using heroin I’ve ever heard (Givin’ Up).

With all the catchy, sing along moments and guitar solos combined with the fun loving, lively approach to both composition and performance, this is easily everything you’d want to hear on a rock album and doesn’t fail to deliver on anything.

External Links:

The Darkness Homepage
The Darkness on Wikipedia | Permission to Land on Wikipedia
The Darkness on Discogs | Permission to Land on Discogs

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Andrew WK I Get Wet Review

Artist: Andrew WK
Album: I Get Wet
Genre(s): Rock
Subgenres(s): Hard Rock
Released: 2001
Length: 35 minutes
Language(s): English
Label(s): Island

Track List:

01. It’s Time to Party
02. Party Hard
03. Girls Own Love
04. Ready to Die
05. Take it Off
06. I Love NYC
07. She is Beautiful
08. Party Til You Puke
09. Fun Night
10. Got to Do It
11. I Get Wet
12. Don’t Stop Living in the Red

Andrew WK I Get Wet Cover

Andrew WK I Get Wet Review

I Get Wet is a short collection of non-stop, hyperactive party anthems by an extreme extrovert named Andrew WK, who draws stylistically from 80’s hard rock and the glam rock scene while fusing it with the speed and simplicity of punk rock. The average length of each song isn’t much over 3 minutes and most of them barely take a moment to slow down.

The music is dominated by the guitar and has keyboard and piano lines playing alongside it with thumping hard rock drums not far behind, whereas the bass is pushed underneath all of this and you’ll have to listen intensely if you want even a small chance of hearing it. The album is accompanied by an overly sleek production style where everything is loud, fast and repetitive, leaving little space for variation. This might sound negative but when put into practice it has a surprisingly positive outcome, although it’s worth noting that this could have just as easily been the downfall of the album.

Most of the lyrics are straight forward and are presented largely in the form of mantras and shout along anthems, all of which will get firmly lodged in your head for weeks after listening to them. Themes strongly revolve around partying to your last breath, women (Girls Own Love and She is Beautiful), motivation (Got to Do It and Don’t Stop Living in the Red) and more partying.

There are two oddities that break away from the established formula for the lyrics. The first is about killing people in Ready to Die and the other is I Get Wet, which seems to have been written from a woman’s perspective but is barked non-stop almost entirely by Andrew WK for the duration of the song and you can’t possibly keep count of many times the title line is repeated. It does feature female vocals for the last part of the song, which are probably there to break up the snarling and yelling voices momentarily.

At the end of the day I Get Wet is a big, loud, straight forward, over the top party album that lacks any form of subtlety where you don’t need to engage your brain but you will get hours of fun out of it so long as your tongue is planted firmly in your cheek.

External Links:

Andrew WK Homepage
Andrew WK on Wikipedia | I Get Wet on Wikipedia
Andrew WK on Discogs | I Get Wet on Discogs

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Devin Townsend Ziltoid the Omniscient Special Edition Review

Artist: Devin Townsend
Album: Ziltoid the Omniscient
Genre(s): Heavy Metal, Rock
Subgenres(s): Progressive Metal, Progressive Rock
Released: 2007
Length: 54 minutes (CD 1), 14 minutes (CD 2)
Language(s): English
Label(s): HevyDevy (Canada), InsideOut Music (Europe), Sony (Japan)

Track List:

01. ZTO
02. By Your Command
03. Ziltoidia Attaxx!!!
04. Solar Winds
05. Hyperdrive
06. N9
07. Planet Smasher
08. Omnidimensional Creator
09. Color Your World
10. The Greys
11. Tall Latte

Devin Townsend Ziltoid the Omniscient Cover

Devin Townsend Ziltoid the Omniscient Special Edition Review

Ziltoid the Omniscient is an album that was created, written, produced, recorded, engineered, programmed and mixed almost entirely by Devin Townsend alone. Mastered by Ue Nastasi, additional support was also given by Dave and Mike Young (additional engineering), Fredrik Thordenal (Drums) and The Beav and Dave (additional dialogue). The paragraph below provides an outline of the concept so if you want to avoid any spoilers skip ahead.

Ziltoid travels to Earth in search of the universes ultimate cup of coffee (as explained in ZTO). Dissatisfied with the brew offered, he goes to war with Earth and sets out to capture the fleeing humans as they leave Earth in search of a way to stop him. Further into the adventure, Ziltoid encounters the Omnidimensional Creator who reveals the truth about his existence that leads to an unexpected conclusion. A more detailed synopsis can be found by reading through the lyrics and supporting text in the albums booklet.

Townsend showcases his vocal talents through a range of spoken word voices, varying degrees of aggressive singing and shouting mixed with higher pitched and cleanly sung verses. Instrumentally, keyboards are more prominent during the softer moments but they do have some interplay with the metal parts of the songs although they can quickly lose out to the relentless mechanical drumming and synchronised guitar riffs. Songs like By Your Command and Ziltoidia Attaxx, (which is one of the two songs to feature guitar solos, the other being N9) exemplify this style.

Solar Winds takes a different approach, featuring dramatic keyboard work and soft guitar playing while departing from the percussion entirely for a brief time. Eventually it builds up into a hard rock song before shifting into the hammering metal style again over a 10 minute period. Color Your World has a flawless transition between the metal and soft progressive rock parts that will make you question whether it’s even the same song until a raspy voice slowly roars “Ziltoid… the Omniscient” out of nowhere. Planet Smasher briefly gives the bass time to breathe by plodding alongside the guitar to create a sense of foreboding as it trudges on ominously. Townsend takes this opportunity to show off how deep and guttural he can make his voice, while making it fit the tempo of the song aptly.

Hyperdrive is probably one of the biggest standout songs on the album because the music has a strong ethereal quality and a repetitive guitar hook that will stay in your head long after the album is over. Townsend’s voice follow suit as he sings in a soft and distant way for most of the song. N9 begins with an intense barrage of drum patterns and the keyboard jumps to the forefront and calls out with a sense of urgency, waking up the listener just in case you were getting too comfortable listening to Hyperdrive. The vocals are delivered in the same way as they are in Hyperdrive, which would makes it a good introductory song to metal for someone who isn’t fond of the harsher singing style but is interested in what can be offered musically.

Two short interlude-type tracks are present on the album. The mid album Omnidimensional Creator is a dialogue between Ziltoid and the Omnidimensional Creator that disappears as fast as it arrives. The second is the albums closer, Tall Latte, which prevents it from finishing with the bang you’d expect, but it is necessary to finish the story. Other parts of the plot can be missed quite easily as the instruments are made the focal point in the mix and not always the vocals. It’s also worth noting that some of the lyrics are not directly related to the story and could contribute to this problem.

All in all, Ziltoid the Omniscient is a highly entertaining and unique sounding album that doesn’t neatly fit into a subgenre. It could easily speak for itself based on the musical merits alone but the accompanying story, despite the narrative flaws, is joined with a great sense of humour (something that the metal realm often lacks) and a creative style of song writing that makes it an exciting and memorable listening experience.

Track List (CD 2):

01. Don’t Know Why
02. Travelling Salesman
03. Another Road

The special edition CD has three tracks, the latter two of which do not relate to the Ziltoid concept. The first track does and opens with Ziltoid stating “you will hear some terrible, terrible bonus material but you know it’s Ziltoid so it’s fun” and manages to live up to both parts of the statement and the title, with Ziltoid going on a long, unfiltered tangent spanning several subjects in Don’t Know Why.

Travelling Salesman is an upbeat song with a strong rhythm section and overly loud, punchy drums and slurred lyrics. Another Road features a fuzzed out electric guitar with some lively solos and a metronome ticking away over the top of everything for no discernible reason. Townsend’s voice is placed right at the back of it all for the duration of the song. In summary, the material has some novelty value to it and is worth a listen or two, but it isn’t the kind of thing that you will keep coming back to.

External Links:

Devin Townsend Homepage
Devin Townsend on Wikipedia | Ziltoid the Omniscient Special Edition on Wikipedia
Devin Townsend on Discogs | Ziltoid the Omniscient Special Edition on Discogs