Jonathan Hill

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Cryptopsy None So Vile Review

Cryptopsy None So Vile Review

Artist: Cryptopsy
Album: None So Vile
Genre(s): Heavy Metal
Subgenres(s): Death Metal
Released: 1996
Length: 32 minutes
Language(s): English
Label(s): Wrong Again, reissued on Displeased Records and Century Media Records

Track List:

01. Crown of Horns
02. Slit Your Guts
03. Graves of the Fathers
04. Dead and Dripping
05. Benedictine Convulsions
06. Phobophile
07. Lichmistress
08. Orgiastic Disembowelment

Cryptopsy None So Vile Cover

None So Vile is an unyielding auditory terror created by Canadian death metal masters Cryptopsy. The album features troglodyte impressionist Dan Greening (better known by his stage name Lord Worm) whose polarising vocal performance consists of grunts, growls and howls that make the lyrics entirely undecipherable. His performance will leave the eyebrows of the uninitiated permanently raised.

The most memorable performance on None So Vile is provided by drummer Flo Mounier, who hammers away relentlessly at an inhuman speed with unnerving endurance. His playing often takes centre stage but guitarist Jon Levasseur steps into the spotlight to take the lead role occasionally and plays some short but infrequent solos between it all.

Bassist Eric Langlois is hardly heard through Cryptopsy’s 32 minute cacophony. He does manage to make some distinct appearances during the bridges of some songs and can be heard clearly on parts of Slit Your Guts and Benedictine Convulsions. Cryptopsy manages to soften up for the better part of 35 seconds to play a calm solo piano piece on Phobophile. It gives your ears just enough time to recover before the band gives in to temptation and resume their aural bombardment duties.

While there aren’t any lacklustre songs on None So Vile, Cryptopsy doesn’t change their sound much from song to song. Instead the band relies on their technical abilities to make the songs distinct from one another. None So Vile lives up to its name and delivers on all accounts. It will be loved or hated by the listener without much room for a grey area but as far as death metal goes, it has certainly become a staple of the subgenre.

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Device Device Review

Device Device Review

Artist: Device
Album: Device
Genre(s): Rock
Subgenres(s): Hard Rock
Released: 2013
Length: 40 minutes
Language(s): English
Label(s): Warner Bros. Records

Track List:

01. You Think You Know
02. Penance
03. Vilify
04. Close My Eyes Forever (feat. Lzzy Hale) (Lita Ford Cover)
05. Out of Line (feat. Serj Tankian & Geezer Butler)
06. Hunted
07. Opinion (feat. Tom Morello)
08. War of Lies
09. Haze (feat. M. Shadows)
10. Through it All (feat. Glenn Hughes)

Device Device Cover

Device is the new collaborative project started by Disturbed frontman David Draiman and former Filter guitarist Geno Lenardo. The sound can best be described as a continuation of where Disturbed left off with Asylum, only with a return of the electronic effects reminiscent of The Sickness while performing under a new moniker.

Song-writing ultimately remains the same as what you would expect from Disturbed but with a few small deviations. Hunted is the most obvious song to point at for the new bands experimentation. It has Device jumping into the deep end of the pool as they infused slow, ominous electronic segments with louder guitar passages that makes it a credit to the album. If this fusion was a common element in Devices debut, it would definitely bring the album into its own.

Device features a multitude of guest performers with perhaps the most memorable being Lzzy Hale (Halestorm), who performs a duet with Draiman on their cover of Lita Fords Close My Eye Forever. While faithful to the original song that featured Ozzy Osbourne, Device injects their personality into the song to give a fresh take on it that prevents them from cloning the original.

Devices debut will probably be a hit amongst hardcore Disturbed fans after they went on hiatus in 2011. Unfortunately not enough has been done with Device to step out of the shadow of Disturbed sans the occasional flirtation with the electronic elements.

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Free the Robots Free the Robots Review

Free the Robots Free the Robots Review

Artist: Free the Robots
Album: Free the Robots
Genre(s): Electronic
Subgenres(s): Trip Hop
Released: 2007
Length: 23 minutes
Language(s): English
Label(s): Elsewhere Studios

Track List:

01. Listen to the Future
02. Diary
03. Jazzhole
04. Yoga Fire
05. Lonely Traveller
06. Session Two

Free the Robots Cover

Free the Robots is the first EP by Chris Alfaro to be released under his pseudonym Free the Robots. The self-titled EP shows elements of ambient, jazz and hip hop being brought together to create a short yet highly imaginative collection of songs under the trip hop banner.

While largely an instrumental effort, there are some sparse vocal arrangements delivered in a variety of ways over the course of the 6 songs. A delicate balance with the music is struck that allows for the vocals to be listened to actively or as a background part to the music. Yoga Fire is the only song to features female singing and is an upbeat, psychedelic song. It is just shy of the 3 minute marker and is the shortest song on Free the Robots.

Some sampled instruments including a saxophone and a piano can be heard on the 2 jazz inspired songs, Jazzhole and Session Two. Listen to the Future, Diary and Lonely Traveller take on a different sound altogether and instead show off the ambient themes of the EP while featuring a strong percussive backing.

There are a lot of ideas that have been put into practice for the first Free the Robots release, but nothing on it sounds overbearing or forced given its short duration. Instead it is a celebration of diverse genres being reassembled to create something original and exciting.

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Porcupine Tree Deadwing Review

Porcupine Tree Deadwing Review

Artist: Porcupine Tree
Album: Deadwing
Genre(s): Rock
Subgenres(s): Progressive Rock
Released: 2005
Length: 60 minutes
Language(s): English
Label(s): Lava

Track List:

01. Deadwing
02. Shallow
03. Lazarus
04. Halo
05. Arriving Somewhere But Not Here
06. Mellotron Scratch
07. Open Car
08. The Start of Something Beautiful
09. Glass Arm Shattering

Porcupine Tree Deadwing Cover

Deadwing makes for another impressive foray into progressive rock by Porcupine Tree, who used their previous effort, In Absentia, as a blueprint to build off for this album. The brooding soundscapes have been replaced with a dreamlike ambiance created through the heavy presence of keyboards, synthesisers and pianos. The metal-esque guitar tones now resemble a driven, rock-orientated sound, while Steven Wilson’s singing remains firmly in their established passive and unstrained style.

The rock-centric portion of the album is often mid-paced, while the ambient portion is restrained with steady percussion and subtle bass playing that stops it from drifting into formless soundscape territory. The soft sounding moments are easily recognised on Mellotron Scratch and Glass Arm Shattering as the ambient textures lead them. Many of the songs switch between these styles and because of this, the album rarely stays static. Instead, they opted to create sprawling and imaginative passages with plenty of dynamic changes.

The different styles are brought together seamlessly over the course of Deadwing and never feel out of place with one another, which is exemplified with Arriving Somewhere But Not Here. This is Deadwings centrepiece and epitomises the albums sound over its 12 minute duration. The length of the song could seem daunting to some, but it builds up and flows into new passages effortlessly to keep the listener interested and comes to an end before you know it.

Deadwing is an excellent introductory album to the current progressive rock scene. It is also a worthy addition to the already lengthy Porcupine Tree catalogue and easily ranks amongst their strongest and most rounded efforts.

http://www.youtube.com/watch?v=ug8CWIasWi8