Artist: My Dying Bride Album: A Line of Deathless Kings Genre(s): Heavy Metal Subgenres(s): Doom Metal Released: 2006 Length: 61 minutes Language(s): English Label(s): Peaceville Records
Track List:
01. To Remain Tombless
02. L’Amour Detruit
03. I Cannot Be Loved
04. And I Walk with Them
05. Thy Raven Wings
06. Loves Intolerable Pain
07. One of Beauty’s Daughters
08. Deeper Down
09. The Blood, the Wine, the Roses
A Line of Deathless Kings is the 9th melodramatic outing by English metal outfit My Dying Bride. If the band’s name and song titles weren’t obvious enough, you can expect to hear a lot of what can only be described as funeral inspired music as interpreted by a metal band. Coupled with the morose lyrics of founding member and singer Aaron Stainthorpe, it becomes quite apparent that the members of My Dying Bride have being living in perpetual misery ever since their sand castles where kicked over one too many times during their childhood.
Monolithic guitar plods are woven together with haunted but infrequent keyboard ambiance and some contrastingly speedy percussive rhythms that create an eerie yet powerful sound for A Line of Deathless Kings. The album is highly consistent and My Dying Bride only breaks character momentarily on Loves Intolerable Pain and at the end of The Blood, the Wine, the Roses to go from their usual mournful tones to delve into flashes of rage that come as quickly as they go.
My Dying Bride lives up to their subgenres namesake and the poetic lyrics will be a treat for fans of the macabre but for those wanting something to smile about are better off looking elsewhere.
Artist: Children of Bodom Album: Follow the Reaper Genre(s): Heavy Metal Subgenres(s): Power Metal Released: 2000 Length: 38 minutes Language(s): English Label(s): Nuclear Blast, Spine Farm
Track List:
01. Follow the Reaper
02. Bodom After Midnight
03. Children of Decadence
04. Everytime I Die
05. Mask of Sanity
06. Taste of My Scythe
07. Hate Me!
08. Northern Comfort
09. Kissing the Shadows
Follow the Reaper is the 3rd album by Finnish metal quintet Child of Bodom. It shows the band stepping away from the black metal tinged sound of Something Wild and Hatebreeder to focus on traditional heavy metal offshoot speed metal and the well-established subgenre of power metal.
Vocalist and lead guitarist Alexi Laiho manages to retain his high pitched screech that makes him sound like an aggravated troll that just found out that someone has walked over his bridge. He is still impossible to understand even if the lyrics are written out in front of you. This makes you wonder if the lyrics where written just for the sake of having a vocalist as Follow the Reaper would have made for a fantastic instrumental album otherwise. This won’t be of any detriment to their fans but it will certainly ward off many other potential listeners.
The drums, bass and second guitar all find themselves in strict rhythm roles on Follow the Reaper and while the drums and guitar are easy to hear, the bass is reduced to background noise unless the listener pays close attention to it.
Children of Bodom haven’t gone through a metamorphosis in their decision to move away from their black metal influence but it is still easy to hear where their well-earned reputation stems from on Follow the Reaper. The most impressive aspects the album are the premier song-writing abilities of Alexi Laiho and the interaction between himself and keyboard player Janne Wirman. These elements are what make Follow the Reaper a staple of the Children of Bodom discography and a highlight of the metal scene upon its release.
Artist: Behold the Arctopus Album: Skullgrid Genre(s): Heavy Metal Subgenres(s): Progressive Metal Released: 2007 Length: 34 minutes Language(s): N/A Label(s): Black Market Activities
Track List:
01. Skullgrid
02. Canada
03. Of Cursed Womb
04. You Are Number Six
05. Some Mist
06. Scepters
07. Transient Exuberance
Behold the Arctopus’ Skullgrid will either leave you in awe of the bands musical abilities or recovering from a throbbing headache. If you do manage to get passed the intense musical acrobatics of Skullgrid you’ll quickly find that there isn’t much left to intrigue you with beyond that.
It’s nearly impossible to absorb and remember any of Skullgrid because no part of any song is present for more than a few seconds before it changes into something else. There are some strong moments but they are scattered throughout the album and get lost between the meandering instrumental passages on either side of them.
Canada is probably the most coherent song on Skullgrid with the opening segment being repeated a handful of times at seemingly random intervals, making it at least partially memorable. Song lengths vary greatly on Skullgrid with the title track being just over a minute long, You Are Number Six clocking in at 9 minutes and the other 5 songs going from 3 to 7 minutes in length.
There is easily enough material on Skullgrid to be fleshed out into multiple full length albums but instead you will hear Behold the Arctopus play every guitar scale, drum pattern and rhythm under the sun packed into a brief 34 minutes. The trio have technical abilities in spades but they would rather show off said abilities instead of crafting a series well thought out instrumental songs.
Skullgrid can best be likened to masturbation: self-indulgent, messy and no one else should have to hear about it.
Artist: Cryptopsy Album: None So Vile Genre(s): Heavy Metal Subgenres(s): Death Metal Released: 1996 Length: 32 minutes Language(s): English Label(s): Wrong Again, reissued on Displeased Records and Century Media Records
Track List:
01. Crown of Horns
02. Slit Your Guts
03. Graves of the Fathers
04. Dead and Dripping
05. Benedictine Convulsions
06. Phobophile
07. Lichmistress
08. Orgiastic Disembowelment
None So Vile is an unyielding auditory terror created by Canadian death metal masters Cryptopsy. The album features troglodyte impressionist Dan Greening (better known by his stage name Lord Worm) whose polarising vocal performance consists of grunts, growls and howls that make the lyrics entirely undecipherable. His performance will leave the eyebrows of the uninitiated permanently raised.
The most memorable performance on None So Vile is provided by drummer Flo Mounier, who hammers away relentlessly at an inhuman speed with unnerving endurance. His playing often takes centre stage but guitarist Jon Levasseur steps into the spotlight to take the lead role occasionally and plays some short but infrequent solos between it all.
Bassist Eric Langlois is hardly heard through Cryptopsy’s 32 minute cacophony. He does manage to make some distinct appearances during the bridges of some songs and can be heard clearly on parts of Slit Your Guts and Benedictine Convulsions. Cryptopsy manages to soften up for the better part of 35 seconds to play a calm solo piano piece on Phobophile. It gives your ears just enough time to recover before the band gives in to temptation and resume their aural bombardment duties.
While there aren’t any lacklustre songs on None So Vile, Cryptopsy doesn’t change their sound much from song to song. Instead the band relies on their technical abilities to make the songs distinct from one another. None So Vile lives up to its name and delivers on all accounts. It will be loved or hated by the listener without much room for a grey area but as far as death metal goes, it has certainly become a staple of the subgenre.
Artist: Devin Townsend Album: Ziltoid the Omniscient Genre(s): Heavy Metal, Rock Subgenres(s): Progressive Metal, Progressive Rock Released: 2007 Length: 54 minutes (CD 1), 14 minutes (CD 2) Language(s): English Label(s): HevyDevy (Canada), InsideOut Music (Europe), Sony (Japan)
Track List:
01. ZTO
02. By Your Command
03. Ziltoidia Attaxx!!!
04. Solar Winds
05. Hyperdrive
06. N9
07. Planet Smasher
08. Omnidimensional Creator
09. Color Your World
10. The Greys
11. Tall Latte
Devin Townsend Ziltoid the Omniscient Special Edition Review
Ziltoid the Omniscient is an album that was created, written, produced, recorded, engineered, programmed and mixed almost entirely by Devin Townsend alone. Mastered by Ue Nastasi, additional support was also given by Dave and Mike Young (additional engineering), Fredrik Thordenal (Drums) and The Beav and Dave (additional dialogue). The paragraph below provides an outline of the concept so if you want to avoid any spoilers skip ahead.
Ziltoid travels to Earth in search of the universes ultimate cup of coffee (as explained in ZTO). Dissatisfied with the brew offered, he goes to war with Earth and sets out to capture the fleeing humans as they leave Earth in search of a way to stop him. Further into the adventure, Ziltoid encounters the Omnidimensional Creator who reveals the truth about his existence that leads to an unexpected conclusion. A more detailed synopsis can be found by reading through the lyrics and supporting text in the albums booklet.
Townsend showcases his vocal talents through a range of spoken word voices, varying degrees of aggressive singing and shouting mixed with higher pitched and cleanly sung verses. Instrumentally, keyboards are more prominent during the softer moments but they do have some interplay with the metal parts of the songs although they can quickly lose out to the relentless mechanical drumming and synchronised guitar riffs. Songs like By Your Command and Ziltoidia Attaxx, (which is one of the two songs to feature guitar solos, the other being N9) exemplify this style.
Solar Winds takes a different approach, featuring dramatic keyboard work and soft guitar playing while departing from the percussion entirely for a brief time. Eventually it builds up into a hard rock song before shifting into the hammering metal style again over a 10 minute period. Color Your World has a flawless transition between the metal and soft progressive rock parts that will make you question whether it’s even the same song until a raspy voice slowly roars “Ziltoid… the Omniscient” out of nowhere. Planet Smasher briefly gives the bass time to breathe by plodding alongside the guitar to create a sense of foreboding as it trudges on ominously. Townsend takes this opportunity to show off how deep and guttural he can make his voice, while making it fit the tempo of the song aptly.
Hyperdrive is probably one of the biggest standout songs on the album because the music has a strong ethereal quality and a repetitive guitar hook that will stay in your head long after the album is over. Townsend’s voice follow suit as he sings in a soft and distant way for most of the song. N9 begins with an intense barrage of drum patterns and the keyboard jumps to the forefront and calls out with a sense of urgency, waking up the listener just in case you were getting too comfortable listening to Hyperdrive. The vocals are delivered in the same way as they are in Hyperdrive, which would makes it a good introductory song to metal for someone who isn’t fond of the harsher singing style but is interested in what can be offered musically.
Two short interlude-type tracks are present on the album. The mid album Omnidimensional Creator is a dialogue between Ziltoid and the Omnidimensional Creator that disappears as fast as it arrives. The second is the albums closer, Tall Latte, which prevents it from finishing with the bang you’d expect, but it is necessary to finish the story. Other parts of the plot can be missed quite easily as the instruments are made the focal point in the mix and not always the vocals. It’s also worth noting that some of the lyrics are not directly related to the story and could contribute to this problem.
All in all, Ziltoid the Omniscient is a highly entertaining and unique sounding album that doesn’t neatly fit into a subgenre. It could easily speak for itself based on the musical merits alone but the accompanying story, despite the narrative flaws, is joined with a great sense of humour (something that the metal realm often lacks) and a creative style of song writing that makes it an exciting and memorable listening experience.
Track List (CD 2):
01. Don’t Know Why
02. Travelling Salesman
03. Another Road
The special edition CD has three tracks, the latter two of which do not relate to the Ziltoid concept. The first track does and opens with Ziltoid stating “you will hear some terrible, terrible bonus material but you know it’s Ziltoid so it’s fun” and manages to live up to both parts of the statement and the title, with Ziltoid going on a long, unfiltered tangent spanning several subjects in Don’t Know Why.
Travelling Salesman is an upbeat song with a strong rhythm section and overly loud, punchy drums and slurred lyrics. Another Road features a fuzzed out electric guitar with some lively solos and a metronome ticking away over the top of everything for no discernible reason. Townsend’s voice is placed right at the back of it all for the duration of the song. In summary, the material has some novelty value to it and is worth a listen or two, but it isn’t the kind of thing that you will keep coming back to.
